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The New York Times

“She directed phrases full of blazing sound and temperament at the tormented Samson. She brought elegant and pining emotion to Dalila’s great aria “Mon coeur s’ouvre à ta voix”


“Garanca—with Alagna—provided one of the most bewitching quarter-hours I’ve experienced in an opera house in a long while. Exploiting Sir Mark Elder’s exceptionally spacious tempi, she transformed the hackneyed “Mon coeur” imbuing its long phrases with incomparably and intoxicating longing.”